Alcuno si capovolge fisicamente per le cose crescenti:
=> Inizi piccolo. Il vostro primo contatto fisico con lei dovrebbe essere qualcosa luce e riassunto. Comincio solitamente fuori con ciao-cinque o una stretta di mano.
=> Sia nonchalant a questo proposito. NON GUARDI mai la vostra mano mentre state toccandola. Ricordi di, esso è appena contatto umano naturale, non disinnescante una bomba.
=> Sia DIVERTIMENTO, NON NEEDY o GROPING. Provi sempre a toccarlo su un'alta nota, quando sta ridendo o realmente agganciato da che cosa state dicendo.
=> Keep the pressure on. Remember to keep moving things forward, little by little. A lot of guys make the mistake of going too far too quickly, which isn’t good. But don’t make the opposite mistake and never touch her at all for fear of blowing it. Remember:slow and steady wins the race; get out of your comfort zone.
Again, you just have to make a conscious effort to work on this until it becomes second nature.
Finally, you mentioned facial expressions. You know, you hear that old cliche about body language being 90% of communication all the time, right? Well, facial expressions are a HUGE part of body language.
When I’m interacting with girls, I’m mugging like Jim Carrey. This is so crucial, which is why I recommended you work on it.
Rather than give you specific exercises on how to improve your facial expressions (”stand in front of the mirror and make faces at yourself”), I think I’ll try to help you understand WHY facial expressions are so important.
Rhythm, confidence and EXPRESSION are all tied into sexuality.
We have a saying at RSD: Game is your expression of inner state, conveyed by the rhythms you use to direct the energy of the interaction.
That’s it. All game comes from within. It’s your ability to express it that largely determines your success or failure.
People who are charismatic are very good at expression. Winston Churchill, Tupac Shakur, these were people who were operating internally on a very pure level.
When these people spoke, there was little or no incongruity between the persona they were projecting and who they were internally. As a result, people were magnetically drawn to them.
This is what is ultimately attractive to ALL people.
So basically, what I’m saying here is that you can’t be AFRAID to express yourself, because, ironically, that’s what ends up causing you to fail.
Take what’s inside of you and LET IT OUT! Share it with the world, and if they don’t like it, to hell with ‘em.
This has significance with regard to frame control as well. Are you starting to see how it all fits together here?
These are also topics that will be discussed at the Mansformation retreat.
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May 13, 2008
I love the frame bit, I think well personally at least it would be one of the hardest things to master, like when you are put on the spot or something, great post
May 15, 2008
Yeah the frame control bit is on point. I tell you what, a good way to improve on your frame control is to involve yourself in an improv type setting. Whether it be an acting class, music, poetry, or whatever… It helps you to learn how to roll with the punches in any given situation. Or even working in a place where things are very social like a restaurant, working as a cashier, anything where you are going to have to talk to people. You never know what type of response you are going to get out of people.
May 17, 2008
my worry by doing this would coming off as ignorant to their comments. wouldn’t doing this put you in a position to be ridiculed later for not understanding the conversation? I may be overanalysing this…